I've been asked this on the radio and feel guilty that I've given glib
answers, and now I've been asked on this site – and that deserves a considered
answer.
In a way it's an unwelcome question, because the aim of the book is to
create a feeling of uncertainty. It's about trying to withhold from
rushing to impose conventional beliefs on experience, about waiting for a
richer, deeper pattern to emerge.
Critics have been sharply divided between those who get it and those who
don't. I sent an early copy to Gary Lachman, one of the founder members of Blondie,
who now lives and works in England as a writer on esoteric subjects. He's one of very few reviewers in the
national press prepared to take esoteric books seriously. In the event he was
unable to persuade the literary editors he writes for it was worth reviewing,
but he sent me a nice letter saying so. He said something to the effect that while he
wasn't sure about every detail, he found it a more convincing model of
reality than the conventional, materialistic one - describing it as
a Morning of the Magicians for the twenty-first century:
'I like your take it or
leave it approach ... Behind the torrent of factoids and
believe-it-or-nots there is a serious, philosophical purpose at work. I took
away from this book a strong sense that, regardless of how factually 'true' the
esoteric account of the world and ourselves may be, it is certainly more
'existentially' true than the reductionist rationalist one.'
Gary, who has studied Gurdjieff,
understands the underlying intention.
The Secret History of the World is packed with tall stories, esoteric
believe-or-nots and factoids. (Did Norman Mailer coin that word in his book on
Marilyn Monroe?). The criterion for inclusion in my book was not necessarily
that they could be proved to be true – but that people in esoteric circles have
believed them. Some of these people have left written records of their beliefs.
In other cases they were things I was told by remarkable people I have met in
esoteric circles. These people, both historical and contemporary, tend to be
super-intelligent.
As I write in the intro, these stories, these claims would require a whole
library to even begin to try to document them and, besides, most are stories
about the supernatural, which are not in principle 'provable' on the page.
The point of bringing all these tall stories, these factoids into one book,
one narrative is to show that they form a surprisingly unified, coherent,
cogent view of the world. They make meaningful patterns in history.
I believe these patterns can be seen in history – and that they
wouldn't be there if science explained everything there is.
Towards the end of the book, in the latter part of chapter, I get to the
real point of the book. I ask the reader to look at his or her own life and ask
if these same patterns can be discerned there too.
I know they can be seen in my own life.
My book's plea is that we should trust to our own personal experience rather
than the say-so of experts. We have given too much away in that regard.
I've known many dons, as teachers and as friends, and while I'd trust their
judgment in their own fields of research, not all of them are so well-rounded,
well-integrated and good-hearted, not all of them have such well developed
Higher Selves that I would trust their judgment on life.
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